I love the work of early years' cinema's surrealists. Here was a medium so fresh and so new, giving a whole new dimension to art: time. This was (and is, of course) taken advantage of in every way. And of course, the avant-garde collective didn't waste much time in adopting film as a medium.
Some images from
Jean Epstein's
La Chute de la maison Usher (1928),



and
Dimitri Kirsanoff's
Ménilmontant (1926).




And, of course, the kingpin of early surrealist filmmaking,
Luis Buñuel and
Salvador Dalí's
Un chien andalou (1929):
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